Final Artist Statement - Blog 10



I was originally inspired by the Starshade project because I was fascinated in its function and in the idea of furthering discovery. The gold foil aluminum used on the Starshade definitely influence some of my material choices for the final including the silver mylar and orange vinyl. Even the idea of the Starshade as a two sided shape that acts as a barrier between the telescope and the star correlated to my decision to make the paintings two sided. The paintings are done with acrylic on wood panels shaped like ovals. The oval references space and time as well as voids and cosmic shapes. Solar systems operate in circular formations and I felt an oval would best reference solar landscape and imagery as well as telescopic perspective.

The three paintings differ from each other and were inspired by research on exoplanets and looking at artist visualizations of what these planets may look like. One of my favorite things that the art department did at the Jet Propulsion Laboratory were the space posters of different missions and exoplanets such as Trappist-1. The posters were imaginary and creative, depicting what could exist outside of our solar system. These visuals inspired my paintings as well as researching planets like Proxima Centauri B and the Kepler 11 Solar System.  I wanted to include elements of water, atmosphere and landscape into the solar paintings to reference the possibility of life or habitable environments on other planets.

The gestural space paintings occupy one side of the panel while the other side is mixed media collage. There is a base layer of mylar with organic swirling patterns created by collage. I used cut outs of my left over photograms from project one of plants and flowers to form the collages and then embellished the harsh angular shapes using a marker with curved, swirling lines. The use of flowers and leaves in the photograms and collage are again a symbol of life forms and placing them into a solar context while also considering exoplanets is an imaginative and hopeful thought that life probably does exists beyond our solar system. Together the shapes they create reference swirling nebula, cosmos and galaxies. The final layer to the collage was the orange vinyl stencil. I decided to make cut outs in the vinyl instead of covering the entire collage to add more intricate moments of discovery. The cut outs accentuate the forms of the collage and allow the viewer to see some of the details of the collage. I was thinking about how the Starshade will allow scientists to discover more details about exoplanets and wanted to use this idea visually. As sculptures, the viewer also only sees one side at a time and so by placing them in a position where the viewer can interact and walk around them, the viewer is actually able to discover something new physically and visually.

I chose to display the panels as sculptures and not mount them to a wall because I wanted more engagement from the viewer and I wanted both sides to be visible. The triangular stands were recycled pieces from the panel after cutting out the oval. I liked that the stands had a relationship with the paintings in that they came from the same piece of wood and shared the same curvatures. They also seemed futuristic in their aesthetic and added dynamism to the oval shapes.

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